Tarot de Marseille: The Picturebook of Fate: The Threes Part 2

This article continues my series examining the trumps of the Tarot de Marseille, adapted from my unpublished manuscript, Tarot de Marseille: The Picturebook of Fate. As throughout this series, the emphasis is placed upon the traditional eikōn of the card, its historical context, and the practical significations I have found useful through divinatory practice. The interpretations presented here reflect my own experience of working with the Tarot de Marseille and should be understood as a working method rather than a definitive authority.

The Threes: The Empress, the Hanged Man and the World

Trump XII, Le Pendu, or the Hanged Man, is both an intriguing and unsettling card. Does it signify self-sacrifice and the promise of future rewards? Is it merely a card of stasis and stagnation? Or does it ask us to view the world from a different perspective? Whilst such themes are often associated with the card, they do not fully explain its peculiar image. The Marseille Hanged Man is less concerned with enlightenment than with disgrace, exclusion, and the consequences of damaged reputation.

The essence of the Hanged Man is dishonour; its function is to suspend. Although these concepts may initially seem severe, they provide the key to understanding the card’s operation in a reading. The Hanged Man does not move freely within the world. Something has happened which prevents progress. Whether deserved or not, his ability to act has been curtailed, his position compromised, and his affairs placed on hold.

The traditional eikōn is both striking and historically grounded. We see a man suspended by one ankle, hanging upside down from a wooden frame. To modern eyes the image appears strange, yet it derives from a genuine early modern practice known as pitture infamanti or defaming portraits. Such images were displayed upon public buildings in order to shame individuals accused of fraud, bankruptcy, debt, treason, or other offences against the community. The subjects were often prominent figures whose standing and reputation were essential to their influence. Public dishonour became a means of public punishment.

The image is reinforced by long-standing associations between hanging and disgrace. Through its connection with Judas Iscariot, hanging came to be regarded as a particularly dishonourable end. The Hanged Man therefore depicts not simply punishment, but the loss of standing, credibility, and trust.

From this, the card’s function becomes clear. The purpose of defamation is not merely to embarrass, but to undermine. A damaged reputation limits opportunities, erodes confidence, and impedes action. In short, it suspends. The principle remains recognisable today. Rumours, gossip, false allegations, public scandal, and social ostracism all operate in much the same way. Whether justified or unjustified, the result is often that a person’s progress grinds to a halt.

When the Hanged Man appears in a reading, it frequently indicates that the past is hindering the present. A previous mistake, poor financial history, unfavourable references, damaged relationships, or an unfortunate reputation may be creating obstacles. Sometimes these concerns are real; at other times they arise from perception rather than reality. The surrounding cards will usually reveal whether the difficulties are justified, exaggerated, or entirely unfounded.

In practical divination, the Hanged Man is frequently a sign of delay, frustration, and suspended progress. Aspirations are postponed, plans encounter obstacles, and forward movement becomes difficult. It often marks a downward turn in fortune, not necessarily permanent, but sufficient to require patience whilst circumstances run their course. Before progress can resume, the matter causing the suspension must first be addressed.

General: The arrival of a difficult period marked by delays, setbacks, and frustration. Plans may be suspended, opportunities withdrawn, and progress slowed by circumstances beyond the querent’s control. The card frequently signifies defamation, gossip, scandal, or modern forms of public shaming. Past mistakes, whether real or alleged, may return with unwelcome consequences. The Hanged Man reminds us that reputation, once damaged, can be difficult to restore.

Love: The Hanged Man is seldom a welcome sight in matters of the heart. For those who are single, it often signifies a lack of meaningful opportunities or the pursuit of relationships that are unlikely to endure. The querent may be misled, kept waiting, or investing in someone who cannot offer a genuine commitment. In established relationships, previous mistakes, old grievances, or unresolved issues may resurface and place the partnership under considerable strain. Progress becomes difficult until these matters are confronted directly.

Career: The Hanged Man is associated with prisons, probation services, and occupations connected with punishment, rehabilitation, and social reintegration. It may also signify charitable work, particularly involving disadvantaged individuals, vulnerable groups, or young people. In career matters more generally, the card often points towards obstacles to employment, promotion, or advancement arising from past mistakes, poor references, financial difficulties, or a damaged reputation.

Finance: Delays, restrictions, or setbacks affecting financial affairs. Previous decisions may have consequences that limit present opportunities. Credit difficulties, unpaid debts, or problems arising from reputation may feature prominently. Bankruptcy.

Health: Anatomically, the Hanged Man is associated with the knees and the legs. More generally, the card frequently signifies delayed recovery, prolonged treatment, or conditions that restrict movement and activity. Progress may be slower than desired, requiring patience and perseverance.

Essence: Dishonour.
Function: Suspend.
Polarity: Negative.
Astrological Association: Capricorn.
Timing: January.

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Tarot Cards: Jean Dodal Tarot via Wikipedia Commons. Public Domain.

Featured Image: Ancient Tarot Major Arcana © BP Grimaud/John Waddington Ltd, Leeds & London, Les Tarot de Marseille Jean Noblet, 1650 © Editions «letarot.com» (2001 [hand stencilled trumps]). Les Tarot de Marseille Jean Dodal, 1701 et 1715 © Editions «letarot.com» (2002 [hand stencilled trumps])

Tarot de Marseille: The Picturebook of Fate: The Threes Part 1

This article continues my series examining the trumps of the Tarot de Marseille, adapted from my unpublished manuscript, Tarot de Marseille: The Picturebook of Fate. As throughout this series, the emphasis is placed upon the traditional eikōn of the card, its historical context, and the practical significations I have found useful through divinatory practice. The interpretations presented here reflect my own experience of working with the Tarot de Marseille and should be understood as a working method rather than a definitive authority.

The Threes: The Empress, the Hanged Man and the World

Trump III, L’Impératrice, or the Empress, is one of the most overlooked and misunderstood trumps. Is she the archetypal mother, a representation of some ancient goddess, or a promise of earthly sensuality and domestic bliss? Such interpretations are common, yet they find little support in the card itself. The Marseille Empress is neither pregnant nor idle. She is a ruler occupied with the demands of office, administration, and responsibility.

The essence of the Empress is communication; her function is to interact. Unlike the Popess, who withdraws in order to study and reflect, the Empress engages with the world around her. She is concerned with the exchange of information, the delegation of responsibilities, and the maintenance of relationships through effective communication. Progress depends upon people working together, understanding one another, and acting with a common purpose.

The traditional eikōn depicts a richly dressed woman adorned with the regalia of empire. In one hand she holds an oversized sceptre, the emblem of authority, whilst in the other she bears a shield displaying the imperial eagle. This is not Venusian imagery, nor is there anything to suggest motherhood or pregnancy. Instead, we are presented with a woman whose hands are already full. She is a figure of responsibility, governance, and practical engagement with the affairs of the world.

Significantly, the Empress faces the viewer directly rather than appearing in profile. This is a woman who meets our gaze. She is approachable, communicative, and fully engaged in her duties. She is capable of offering support, assistance, and guidance, but she expects clarity in return. Ambiguity, hesitation, and poor communication find little favour with her. She acts with purpose and efficiency and expects others to do the same.

When the Empress appears in a reading, it often heralds a busy period filled with activity, correspondence, meetings, and opportunities. Plans must be organised carefully and responsibilities distributed appropriately. Communication becomes essential, for there may be little opportunity to retrace one’s steps or correct misunderstandings later. The card frequently accompanies important news, announcements, or information which alters the direction of events.

Historically, an important function of a consort was intercession: the ability to appeal, mediate, and secure assistance on behalf of others. This aspect remains visible within the card. The Empress often indicates that help is available, provided one is willing to ask for it. Doors may be opened through diplomacy, introductions, recommendations, and well-maintained relationships. Success rarely comes through isolation.

This is the heart of the Empress. We live in an age of increasing solipsism, in which attention is directed ever more towards the self and ever less towards others. As our capacity to interact diminishes, misunderstandings multiply and progress becomes more difficult. The Empress stands as a corrective to this tendency. She reminds us that clear communication, co-operation, and meaningful engagement with other people are not merely desirable virtues, but necessities for success.

General: The commencement of a promising period of activity, growth, and new initiatives. The card often heralds important news, correspondence, meetings, or discussions that move matters forward. It signifies cooperation, effective communication, and the ability to bring people together for a common purpose. The Empress may also indicate an offer of assistance, an introduction, or someone willing to intercede on the querent’s behalf.

Love: The Empress promises comfort, companionship, and emotional fulfilment. Relationships are characterised by communication, mutual support, and shared objectives. The card frequently appears when partners are undertaking a joint venture, establishing a home together, or building a future as a team. For those seeking love, the Empress often signifies an introduction through friends, family, colleagues, or social networks. Rarely does the relationship arise in isolation; someone usually helps bring the parties together.

Career: The Empress is associated with professions centred upon communication and interaction, including journalism, public relations, marketing, publishing, editing, translation, broadcasting, and administration. It may also signify roles involving mediation, liaison, or client relations. For men, the card can indicate occupations traditionally associated with women, such as childcare, personal assistance, beauty therapy, hairdressing, and similar caring or supportive professions. More generally, success comes through effective communication and the ability to work with others.

Finance: Financial progress through networking, communication, and co-operation. Assistance or advice may be available from others. The card favours careful organisation and the sensible management of resources.

Health: Anatomically, the Empress is associated with the chest, breasts, ribs, and spleen. The card frequently points towards gynaecological matters, including menstrual disorders, cervical conditions, Bartholin’s cysts, and related concerns. It may also indicate illnesses more commonly encountered in women, such as hyperthyroidism and rheumatoid arthritis. More generally, the Empress advises attention to the body’s need for care, support, and proper maintenance.

Essence: Communication.
Function: Interaction.
Polarity: Neutral.
Astrological Association: Cancer.
Timing: July.

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Tarot Cards: Jean Dodal Tarot via Wikipedia Commons. Public Domain.

Featured Image: Ancient Tarot Major Arcana © BP Grimaud/John Waddington Ltd, Leeds & London, Les Tarot de Marseille Jean Noblet, 1650 © Editions «letarot.com» (2001 [hand stencilled trumps]). Les Tarot de Marseille Jean Dodal, 1701 et 1715 © Editions «letarot.com» (2002 [hand stencilled trumps])

To Relieve This Belly Ache

Last month (October 2019), I had a conversation with an old paternal family friend, Leah. She appeared unusually anxious and distracted. It transpired that her adult daughter, Ella, had been suffering from recurrent abdominal and flank pain. Ella had sought appropriate medical advice and attended A&E on several occasions. Unfortunately, there appeared to be little consensus regarding either the cause of her symptoms or their treatment.

Leah was aware that I had an interest in divination and fortune-telling. We discussed the matter, and I explained that such methods could not properly be employed for the purposes of diagnosis or treatment. Leah understood this perfectly well but sought a measure of reassurance, and I agreed to examine the question.

As circumstances did not permit the use of cards, I turned instead to horary astrology. We noted the time, and I cast the chart for that moment.

Here follows the chart, recast using Delphic Oracle1.

With 15° Pisces rising and the planetary hour ruled by Jupiter, there was no traditional consideration2 of judgement that constituted a strict prohibition against judging the chart.

The ascendant is the point of incarnation and therefore represents the vital spark of life. The sign in which it falls pertains to the self. Consequently, it is the first house that relates to health, rather than the sixth, which is the house of illness.

In horary astrology, the rising sign and its ruler denote the querent. Accordingly, Pisces and its ruler, Jupiter, signify Leah. As Leah was enquiring about her daughter, however, we must turn to the fifth house, the house of children. The fifth sign from Pisces is Cancer.

Cancer is ruled by the Moon, which also has natural rulership over the stomach. We find the Moon in Sagittarius, a hot and mutable sign. Such heat is uncongenial to the Moon’s nature, whilst the mutable quality reflects the intermittent and recurring nature of the symptoms described. Counting Cancer as the first house, the Moon falls in the sixth derived house, indicating sickness and disorder. Thus, there is little difficulty in seeing that Ella’s constitution was disturbed.

The next question concerns causation. Sagittarius is ruled by Jupiter, who was then traversing Scorpio. Scorpio is in aversion to Sagittarius and therefore unable to behold it. Jupiter also rules Pisces, and his position neatly reflects Leah’s uncertainty and perplexity. Yet this alone does not explain Ella’s condition.

The Moon’s last aspect was a sextile to Venus. Venus both rules and occupies Libra, the eighth sign from Pisces, which pertains to death. The separating aspect is therefore reassuring. However, the Moon is applying to a conjunction with Saturn. At 1° Libra, Venus is in Saturn’s exaltation, triplicity and bounds. Saturn therefore predominates over Venus and may properly be considered her almuten. This is rather less reassuring.

Before reaching Saturn, however, the Moon first perfects a square with Mars at 6° Virgo. Mars, being in Virgo, occupies the tenth sign from the Moon and therefore overcomes her. Overcoming, particularly by a malefic planet, constitutes a significant affliction. It is also noteworthy that Mars is conjoined with the Sun, ruler of the sixth house and of the diurnal eastern triplicity. Furthermore, Mars has his twelfth-part conjunct Jupiter in Scorpio, one of Mars’s own domiciles.

Physically, Virgo governs the abdomen, though the stomach belongs primarily to the Moon. As the third sign from Cancer, Virgo would ordinarily carry associations with the shoulders, arms and hands. Sagittarius, as the sixth sign from Cancer, has connections with the lower abdomen and entrails, whilst Jupiter has traditional associations with the liver and the blood.

We therefore find a notable correspondence with Ella’s symptoms. Mars is under the Sun’s beams and consequently invisible, aptly reflecting the prevailing uncertainty: clearly something was wrong, yet no one seemed able to identify the cause.

Turning to Richard Saunders’s The Astrological Judgement and Practice of Physick3, we find the following description of Mars in Virgo:

Mars in the next 18 degrees of Virgo is cold in the second, and dry in the third degree, causing oppilations (obstructions) and stoppings of the liver; melancholy and red choler, faeculent and thick; melancholy predominating, causing stoppings and swellings of the milt (spleen), pains and gripings in the belly, the wind colick and strangury (painful and incomplete urination), the stone in the bladder; and Mars with Saturn, the piles and haemorrhoids.

The Astrological Judgement and Practice of the Physick, Richard Saunders p. 171

Mars is closely associated with choler, or yellow bile, an excessively hot humour that consumes and agitates throughout the digestive and eliminative processes. Looking at the chart as a whole, my impression was that the martial influence was inflaming the liver—ruled by Jupiter and traditionally associated with the production of yellow bile—and that this was contributing to the gastric discomfort.

Using John Frawley’s4 timing method, we considered the previous aspect between the Moon and Venus. The symbolism suggested that the symptoms had begun in earnest approximately four weeks earlier, using the convention of one degree equalling one week. The Moon would perfect her square to Mars in less than one degree, indicating that a significant development should occur within the following week. Leah mentioned that Ella had a further medical appointment later that week.

Mars would emerge from under the Sun’s beams at approximately 12° Virgo (the Sun being at 27° Virgo), which I took to indicate the eventual revelation of the diagnosis5. This pointed to a period of rather more than five weeks.

I told Leah that I would review my findings when I returned home, as I do not generally carry an ephemeris—or copies of Saunders and Culpeper—about my person.

Leah did not contact me again until late October. By then, Ella had undergone blood tests, which revealed elevated bilirubin and alanine transaminase levels. The consulting physician referred her to a hepatologist and, following ultrasound and FibroScan examinations, she was diagnosed with non-alcoholic fatty liver disease.

The diagnosis brought Leah considerable relief and, one hopes, marked the beginning of an improvement in Ella’s health.

References



  1. The chart was cast using the Krishnamurti ayanāṃśa then employed in my work. Since that time, I have adopted a different sidereal framework, utilising an ayanāṃśa that places Aldebaran (α Tauri) at 15° Taurus. The interpretative principles discussed herein remain unchanged. The article first appeared on my old blog in 2019. ↩︎
  2. Lilly, W. (1985). Christian Astrology. London: Regulus. ↩︎
  3. Saunders, R. (2004). The Astrological Judgement and Practice of Physick. Whitefish, Montana: Kessinger Publishing. ↩︎
  4. Frawley, J. (2005). The Horary Textbook. London: Apprentice Books. ↩︎
  5. Barclay, O. (1997). Horary Astrology Rediscovered. Whitford Press. ↩︎